Lindsey Stirling is a two-time Billboard Award-winning electronic violinist based in Los Angeles, California. Not too long ago, she released a progressive house-inspired instrumental, entitled, “The Upside”.

Lindsey Stirling – “The Upside” single

‘The Upside’ is an anthemic up-tempo single featuring Lindsey’s signature violin.

The 118 BPM instrumental track combines elements of melodic house, electronic dance, and pop to create a feeling that is bold, high-energy, and uniquely her own.

The song features club drums, progressive house-leaning synthesizers, and soaring violin scales packed into one three and half minute tune.

Lindsey Stirling

Lindsey Stirling + Young Artemis press photo

Lindsey Stirling performed the song last week at the 39th annual A Capitol Fourth celebration from the U.S. Capitol building in Washington, D.C.

Showcasing her abilities as both a dancer and musician, she performed the song to captivated fans celebrating the United States Fourth of July holiday.

Lindsey Stirling is a globally recognized electronic violinist and songwriter.

She has amassed well over 11 million YouTube subscribers and 2 billion-plus YouTube streams. Also, she won multiple Billboard Music Awards since the release of her self-titled debut album in 2012.

In 2016, she was the highest-grossing Electronic Artist ahead of headlining acts like The Chainsmokers, Flume, and Kygo. Lindsey is also a New York Times Bestselling author and previously featured in Forbes ’30 Under 30’ list.

Lindsey Stirling – “The Upside” single

Lindsey Stirling - “The Upside” cover art

‘The Upside’ is the second release from Lindsey Stirling’s upcoming 5th studio album, entitled, “Artemis”. The anticipated project will be released on September 6, 2019, via BMG.

Beginning this summer, Stirling will embark on tours in both Europe and Mexico.

Buy tickets to see Lindsey Stirling perform

We recommend adding Lindsey Stirling’s “The Upside” single to your personal playlist. Also, let us know how you feel about it in the comment section below.


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